From Publishers Weekly:
Lamplighter’s powerful debut draws inspiration from Shakespeare and world mythology, infused with humor and pure imagination. Four centuries after the events of The Tempest, Prospero’s daughter Miranda runs Prospero Inc., a company with immense influence in the supernatural world. When she discovers a mysterious warning from her father, who has gone missing, Miranda sets forth accompanied by Mab, an Aerie Spirit manifested as a hard-boiled PI, to warn her far-flung, enigmatic siblings that the mysterious Shadowed Ones plan to steal their staffs of power. Every encounter brings new questions, new problems and a greater sense of what’s at stake. Featuring glimpses into a rich and wondrous world of the unseen, this is no ordinary urban fantasy, but a treasure trove of nifty ideas and intriguing revelations. A cliffhanger ending will leave readers panting for sequels.
Anyone who knows me knows that I’m almost doggedly anti-reading urban fantasy. I’ve read urban fantasy before and it’s all the same. There’s the tough-as-nails-jilted-in-the-past investigator or cop who is just oh-so-cynical and amazingly gorgeous. She will inevitably run across (insert name of paranormal creature here) who is overly mysterious and will make her challenge everything she ever thought her heart could handle and together they will uncover some epic mystery and have lots of sex while doing it.
It’s enough to make me throw up.
The other thing I rarely, if ever do is pay attention to cover art because, lets be honest fellow SFF readers; we have some amazingly bad cover art adorning some seriously wonderful books in our genre.
So you can imagine my surprise when I read not only an urban fantasy but also an urban fantasy with pointedly good cover art. You can probably imagine how set I was on hating this book when I cracked the cover for the first time.
Well, I didn’t hate it.
The concept of the book isn’t exactly new. Plots focused around some aspect of Shakespeare’s work have flooded the marketplace. This is no exception. Miranda, the eldest daughter of Prospero from Shakespeare’s The Tempest, leads the reader on an amazing chase while she tries to fulfill her father’s orders to warn her siblings of danger. All of these events happen roughly five hundred years after the events of The Tempest. Lamplighter wastes no time weaving a rich and interesting history of events which led the family from the events in The Tempest to current times. She also has no problems describing all that Shakespeare got wrong.
The history woven into this book is fascinating and I really enjoyed reading what happened to the Prospero family over time. Lamplighter has created a wonderful, believable world with this book that can’t help but suck the reader in. Peppered in this world are characters from myth itself which are not only fun to read about, but interesting in the fact that they exist and how Lamplighter has believably woven them into the tapestry of her world.
This is, as far as I know, Lamplighter’s first published book and it’s not incredibly obvious. Her writing is, simply put, beautiful and flowing. It’s easy to get lost in her prose as she weaves together the strands of her plot.
That’s not to say that this book is perfect, because it’s not.
When it’s all said and done, I felt the flowery and beautiful writing worked to somehow cover up a somewhat shallow and predictable plot. While I can see the logic of Lamplighter using a quest-type idea to keep the plot moving forward, it did get rather tiring to hear about the small group of main characters constantly going from one point to another to fulfill some goal or get something, much like a scavenger hunt. This does get the job done, though. The plot steadily moves forward and the constant change of scenery is refreshing and adds an interesting factor to this book that would have otherwise been missing.
The Miranda intensive parts of the book can be a chore to read about. Mephisto, her brother that is stark raving insane and Mab, the PI who works with her add a humorous undertone to a serious book and keep things light when situations would easily get bogged down with overly serious dialogue or happenings. Her two supporting characters can easily keep the reader turning pages.
There are other mysteries besides the “where is Prospero” one. There are several questions that are raised regarding Miranda’s past or issues involving her family which are incredibly interesting. While this is an urban fantasy book, there is so little romance in it, it makes me wonder what on earth I was actually reading before I got my hands on this book. There were no moments that induced any queasy sensations or eye rolling bouts of sensational lust.
It should be noted that this book doesn’t really end as much as it just stops. There is a cliff hanger and many of the major questions that are hinted to, or outright asked in this book aren’t answered. This is the first book in a trilogy. The second book Prospero in Hell is out right now (in the US, though I am not sure about the rest of the world). Individuals who read this book and enjoy it will probably be chomping on the bit to devour the next book in the series.
While I did enjoy this book, I do have some reservations regarding it. The strongest part of Prospero Lost is the writing, followed closely by Lamplighter’s stunning world building. All in all, this book is worth picking up and is highly enjoyable if you are a reader who is willing to suspend belief and just enjoy the stunning craft Lamplighter uses to weave together her vision. It’s easy to get sucked into Lamplighter’s world, and one cannot help but be interested in the drama that is the Prospero family.