I’d be lying if I said that cover art didn’t effect how badly I wanted to read a book. Tor’s winter catalogue was just released and I’m starting to go through it now. I’m impressed by the cover art, so I’m deciding to show some of my favorites.
I’m finding myself rather fascinated by cover art recently. I usually don’t post it on my website (I figure better websites like A Dribble of Ink can do that for me). That being said, as technology changes, cover art does, too. I find myself liking more than I used to, and this often gets me excited. That’s how I roll.
My mother always said, “Don’t judge a book by it’s cover.” Well, I guess I do just that. (Sorry, mom.) So I’m writing this post to show you some cover art I saw in the Tor catalogue that has me all interested. It also might serve to wet your whistle for the upcoming reading year.
(Note: I figure that since these covers are also on Goodreads, they are fair game for me to post. If I’m wrong, all someone needs to do is shout at me and I’ll fix it by removing this post.)
Enjoy… or something.
Welcome to the City Unspoken, where Gods and Mortals come to die.
Contrary to popular wisdom, death is not the end, nor is it a passage to some transcendent afterlife. Those who die merely awake as themselves on one of a million worlds, where they are fated to live until they die again, and wake up somewhere new. All are born only once, but die many times . . . until they come at last to the City Unspoken, where the gateway to True Death can be found.
Wayfarers and pilgrims are drawn to the City, which is home to murderous aristocrats, disguised gods and goddesses, a sadistic faerie princess, immortal prostitutes and queens, a captive angel, gangs of feral Death Boys and Charnel Girls . . . and one very confused New Yorker.
Late of Manhattan, Cooper finds himself in a City that is not what it once was. The gateway to True Death is failing, so that the City is becoming overrun by the Dying, who clot its byzantine streets and alleys . . . and a spreading madness threatens to engulf the entire metaverse.
To be released on February 11, 2014
Lord Scott Oken, a prince of Albion, and Professor-Prince Mikel Mabruke live in a world where the sun never set on the Egyptian Empire. In the year 1877 of Our Lord Julius Caesar, Pharaoh Djoser-George governs a sprawling realm that spans Europe, Africa, and much of Asia. When the European terrorist Otto von Bismarck touches off an international conspiracy, Scott and Mik are charged with exposing the plot against the Empire.
Their adventure takes them from the sands of Memphis to a lush New World, home of the Incan Tawantinsuyu, a rival empire across the glittering Atlantic Ocean. Encompassing Quetzal airships, operas, blood sacrifice and high diplomacy, Three Princes is a richly imagined, cinematic vision of a modern Egyptian Empire.
To be released on February 4, 2014
The thrilling adventure of Lady Trent continues . . .
Attentive readers of Lady Trent’s earlier memoir, A Natural History of Dragons, are already familiar with how a bookish and determined young woman named Isabella first set out on the historic course that would one day lead her to becoming the world’s premier dragon naturalist. Now, in this remarkably candid second volume, Lady Trent looks back at the next stage of her illustrious (and occasionally scandalous) career.
Three years after her fateful journeys through the forbidding mountains of Vystrana, Mrs. Camherst defies family and convention to embark on an expedition to the wartorn continent of Eriga, home of such exotic draconian species as the grassdwelling snakes of the savannah, arboreal tree snakes, and, most elusive of all, the legendary swampwyrms of the tropics.
The expedition is not an easy one. Accompanied by both an old associate and a runaway heiress, Isabella must brave oppressive heat, merciless fevers, palace intrigues, gossip, and other hazards in order to satisfy her boundless fascination with all things draconian, even if it means venturing deep into the forbidden jungle known as the Green Hell . . . where her courage, resourcefulness, and scientific curiosity will be tested as never before.
To be published on March 4, 2014
Eric Albright is leading a normal life until a small red door appears under a train bridge near his home. Then a ghostly being wakes him in the dead of night, with a message from another world: You are Shadow. In Levaal, the world between worlds, the dragon-gods grow restless in their sky prisons, and the Great Spirits struggle to contain them. Vous, the worlds Friend and Lord, simmers in madness as he schemes to join the ranks of gods. He and the Arch Mage have almost won their final victory over the Free Cities. A dark age dawns. But Eric and his friend Case are now Pilgrims, called to Levaal for a battle more ancient than the petty squabbles of men. And they will learn why some doors should not be opened
To be published on March 18, 2014
Caeli-Amur: an ancient city perched on white cliffs overlooking the sea; a city ruled by three Houses, fighting internecine wars; a city which harbours ancient technology and hidden mysteries. But things are changing in Caeli-Amur. Ancient minotaurs arrive for the traditional Festival of the Sun. The slightly built New-Men bring their technology from their homeland. Wastelanders stream into the city hideously changed by the chemical streams to the north. Strikes break out in the factory district.
In a hideout beneath the city, a small group of seditionists debate ways to overthrow the Houses. How can they rouse the citizens of the city? Should they begin a campaign of terror? Is there a way to uncover the thaumaturgical knowledge that the Houses guard so jealously? As the Houses scramble to maintain their rule, it becomes clear that things will change forever in Caeli-Amur.
To be published on April 15, 2014
Desperate to find a case to justify the team’s existence, with budget cuts and a police strike on the horizon, Quill thinks he’s struck gold when a cabinet minister is murdered by an assailant who wasn’t seen getting in or out of his limo. A second murder, that of the Commissioner of the Metropolitan Police, presents a crime scene with a message… identical to that left by the original Jack the Ripper.
The new Ripper seems to have changed the MO of the old completely: he’s only killing rich white men. The inquiry into just what this supernatural menace is takes Quill and his team into the corridors of power at Whitehall, to meetings with MI5, or ‘the funny people’ as the Met call them, and into the London occult underworld. They go undercover to a pub with a regular evening that caters to that clientele, and to an auction of objects of power at the Tate Modern.
Meanwhile, the Ripper keeps on killing and finally the pattern of those killings gives Quill’s team clues towards who’s really doing this…
To be published on April 15, 2014
To be published March, 2014
So, do any of these covers do it for you? Have I missed any good ones?
(P.S. If this post goes over well, I might flaunt the cover art I like more often.)